mayukh sen
mayukh sen is a junior at stanford university studying history and science, technology, and society. he has written for artlog.com, stanford university's clayman institute for gender research's gender news, the film experience, zero1: the art and technology network's blog, the stanford daily,
mayukh sen
vanessa-redgrave:

Vanessa Redgrave by Eve Arnold, 1966
waltdisneywithblood:

Vanessa Redgrave on the set of Blow-Up (1966, dir. Michelangelo Antonioni).
(Via)
trinketsinthegrotto:

Blow-Up (1966)
ZoomInfo
chainedandperfumed:

Stefania Sandrelli (with Dominique Sanda and Jean-Louis Tritignant) in The Conformist. Bertolucci. 1970.
chainedandperfumed:

Stefania Sandrelli (with Dominique Sanda and Jean-Louis Tritignant) in The Conformist. Bertolucci. 1970.
tatehemlock:

Jane Fonda in Cavalier Magazine 1962 YOWZA
willceau:

Farrah Fawcett on SWAT
urban screen, ZERO1, 08.15.12
artHERE round 2 juries, ZERO1, 08.09.12
ZoomInfo
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
chambersandmalone:


“Shelley acknowledges that Diane is a royal pain in the posterior to Cheers’ patrons, employees and even Sam. But she also is endearing and, of all things, sexy.
We are not dealing with a Bo Derek here. Diane is not the stuff of which posters are made, as Shelley would be first to admit.
But Diane, like Shelley, is utterly feminine, especially in those moments when she is most earnestly and painfully on a feminist kick.
This is an almost impossible trick to turn for male viewers, but Shelley plays it with the virtuousity of a concert artist. Betty Friedan could take notes.
‘The sexuality is something I don’t consciously set out to do,’ Shelley said, musing aloud as is Diane’s wont. ‘I think it’s the chemistry between Sam and Diane.’”

—excerpt from Vernon Scott, “Bolstered By Summer Showing, ‘Cheers’ Off to Second Season”, UPI, September 22, 1983.
metalmena:

This time next week.. i would have purchased this film.. SO FUCKING EXCITED
julicious:

Jane Fonda, 1960
via